Heavy. The Zeiss-badged Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS has been the main choice for Alpha users after a high-quality wide-angle zoom lens, but the arrival of the Sony FE 16-35mm f/2.8
Tokina has announced the impending release of its new SZ 8mm F2.8 fisheye lens for Fujifilm X and Sony E-mount APS-C camera systems. The fully-manual lens is constructed of 11 elements in eight groups, including an unspecified number of multi-coated elements.
E-mount 18-200mm F3.5-6.3 OSS LE From sweeping landscapes through portraits to sports and wildlife, this lens will cover it all. In 35mm full-frame format terms the 11x zoom range of this lens goes from 27mm wide to 300mm telephoto, with superb image quality all the way thanks to an advanced optical design and Optical SteadyShot image
The 18-300mm F/3.5-6.3 Di III-A VC VXD (Model B061) is an all-in-one zoom lens for Sony E and FUJIFILM X-mount APS-C mirrorless cameras. It is the first lens in the world for APS-C mirrorless cameras with a zoom ratio of 16.6x and 18-300mm focal length range (the full-frame equivalent of 27-450mm). Zooming from wide-angle to ultra-telephoto, it
Tamron 70-180mm. The Tamron 70-180mm f/2.8 is going to be the most expensive entry on this list and the only one above $1000. However, compared to a traditional 70-200mm f/2.8 like Sony’s, it’s still way less expensive. Broadly speaking, the 70-200mm range is the zoom of choice for close sports, action photography, and many portrait or
Like Samsung’s 16mm pancake lens, Sony’s E 16mm f/2.8 captures about the same angle of view as a 24mm lens on a full-frame camera (approximately 83°). Sony’s 16mm E-mount lens, which is contained in a solidly built brushed-aluminum housing, focuses down to 9.4 inches (24 cm) and features autofocus with full manual override. Sony E16mm f/2.8.
Lab results. Verdict. Although compact and lightweight at 326g, the Sony E 18-135mm f/3.5-5.6 OSS qualifies as a ‘superzoom’ lens. With an effective zoom range of 27-202.5mm, taking the 1.5x crop factor of Sony APS-C mirrorless cameras into account, it gives pretty much the same sweep of focal lengths as a 28-200mm on a full-frame camera.
That's why I decided to buy the Sony a6000. After researching lenses and all the theory behind cropsensors etc. I found that there actually is no good lens for Sony E-Mount lenses that offers me the field of view I liked so much on the canon. A 35mm on an APS-C would be a 52,5 equivalent which is far to narrow for my liking. ( in every day use)
The Sigma 16mm f/1.4 DG DN is an exceptional lens for an exceptional price. This fast prime will have an equivalent focal length of 24mm on Sony APS-C cameras, which makes it perfect for many genres of photography. Street, documentary, environmental portraits, landscapes, food photography and more will be easier than ever.
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best sony e mount aps c lenses
